This often means the software you cut in is not the software you use to grade. That usually means you should pick the fastest and most flexible software for any given task. The same goes for Resolve’s editing tools, which are quite capable, but don’t have the same pedigree that Premiere has built for itself over the past two decades.Īs a filmmaker, your primary goal should be to provide the highest quality product with the tools and time available. Of course, Premiere Pro has its own color tools, but grading in Resolve allows for more control and thus a higher quality product. While Resolve has carried the weight of digital color grading supremacy since back in the mid-2000s. You just need to understand how to make them play nice together.īetween the two, Premiere Pro is arguably the more powerful (and established) editing system. This complicated relationship is a good thing, as it opens up a plethora of technical and creative benefits to filmmakers. These powerful tools complement each other wonderfully but are constantly competing to steal each other’s lunch. The relationship between Adobe Premiere Pro and DaVinci Resolve is complicated.

Davinci colour